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Apparently Kumar and Khanna couldn't agree on whose name should appear first in the credit titles. He also wanted to cast himself in a parallel role. Manoj Kumar wanted to make Naya Bharat with Rajesh Khanna in the lead. But the film never went beyond the mahurat.ĥ. In fact he launched a film Jai Shiv Shankar with Dimple. Strangely Rajesh Khanna and Dimple Kapadia never came together on screen. Though the marriage didn't work and she moved out of Aashirwad, they continued to meet and mingle. But he opted for an overnight marriage with the then-16 Dimple Kapadia. He was closely bonded to actress Anju Mahendru and journalist Devyani Chaubal. The women in Rajesh Khanna were worthy of a thesis. But then, the Deewaar writers, Salim-Javed, superstars in their own right, insisted on Amitabh Bachchan. Yash Chopra didn't want to break the hit director-star combination. The two had discussed the project while shooting for Daag, the romantic "poem on celluloid" which was a hit. Rajesh Khanna was Yash Chopra's first choice for Deewaar. The two never came together except for Hrishikesh Mukherjee's Bawarchi where they did not exchange a word off-cameraģ.
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In fact it was said that the only superstar who would not pander to the Khanna ego was Jaya Bhaduri. One leading lady who refused to play up to the great Khanna ego was Jaya Bhaduri (now called Jaya Bachchan). Rajesh Khanna loved heroines who pandered to his ego. He finally left in a huff, never to return again." Gulzar Saab signed Jeetendra for the same role the very next day.Ģ. But the Mighty Superstar continued drinking and cracking jokes with his durbar ignoring Gulzar Saab. Says a source, "Gulzar Saab who sleeps by 10 pm waited patiently till 1 am to meet the Great Man.
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One night Rajesh Khanna called Gulzar home to his bungalow the famous Aashirwad where the notorious 'durbar' (chamchas, hangers-on and yes-men) was on full swing. Gulzar Saab wanted to sign Rajesh Khanna for a romantic film which he had specially written for the Superstar. Gulzar Saab and Khanna knew each other through the many films that Gulzar Saab wrote for Hrishikesh Mukherjee including Anand and Bawarchi. The unknown story about the Gulzar-Khanna collaboration that never happened goes like this. The mighty Gulzar came THIS close to working with the then-Superstar Rajesh Khanna. Everyone wanted to work with the walking-talking-romancing hit machine. When Rajesh Khanna ruled in the 1970s the nation drooled. It was an exalted acknowledgement of Rajesh Khanna's presence and position in the psyche of the nation, that he was drawing my attention to.1. 'It was not so much a tutorial in acting that he expounded. 'He said, " just think Amitabh, R- a- j- e- s- h K- h- a- n- n- a is dead !! and you will get everything right ".
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'When the shooting of 'Anand' began at Mohan Studios, Hrishi da's favorite locale, now a concrete housing colony, the one moment that always worried me was, that last scene when I break down after his death and urge him emotionally to speak ! Not being able to find a method in my own very limited acting experience, I sought the help of Mehmood bhai, in who's house I was living with his brother Anwar Ali. He signs off with the superstar's last words before he passed away. But one look at Rajesh Khanna made me realise that with people like him around, there would be little chance or opportunity for me, in this new profession! Image: Amitabh Bachchan and Rajesh Khanna in Anand
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I had come away home to seek the possibilities of joining the Industry in some other way. The early, or shall I say preliminary rejection of my attempt to compete in the Filmfare-Madhuri contest, had made me leave my settled job in Calcutta. The packed audience and their reactions to this young handsome man was impermeable. His film Aradhana was my next meeting with him, at the Rivoli Theatre in Connaught Place in New Delhi, which my Mother took me along to see. He was the winner of the Filmfare-Madhuri Talent Contest, a contest that I had applied to in the coming year and been rejected. I first saw him in a film magazine, perhaps Filmfare. Understandably shaken by the turn of events, Amitabh Bachchan wrote a moving tribute to the late icon on his blog, starting with recalling his first meeting with the superstar he would later dethrone as the numero uno of Hindi films. Amitabh Bachchan, who worked with Rajesh Khanna in two hits, Anand and Namak Haram, was present at the late superstar's funeral on Thursday morning with his family.Īs Rajesh Khanna's fans, bereaving family members and scores of associates, friends jostled for space as they turned up to say their last goodbyes to him, the Big B's son Abhishek was spotted with his arms warmly around his father, supporting him and providing him an anchor in the crowd.